During World War 2, General George S. Patton,
had the powerful ability to prepare and motivate the men he led,
and was a genius when it came to tank battle tactics which terrified
the Germans, who called him the "pure warrior." His tremendous
gift of battle strategy combined with intelligent thought was
a terrific asset to the Army in which he served whole-heartedly,
passionately. Patton also had some big faults, such as his mouth,
his hot temper, his controversial methods, and his tendency toward
insubordination, especially when it came to obeying the orders
given that fostered good will among the Allies, which not necessarily,
in his opinion, helped their battle against the Germans.
The opening of the film sets the tone for the
whole story. One sees a huge, stage-size American flag, hanging
on the back wall of the stage. Patton (George C. Scott) comes
up on the stage, where he salutes while a trumpet plays a traditional
military tune. He then begins his motivational speech to his troops.
He starts off with a blunt fact. "Now I want you to remember that
no bastard ever won a war by dying for his country. He won it
by making the other poor dumb bastard die for his country."
He goes on to explain in his own unique way that
the Army fights as a team, and explains his battle philosophy.
"We are advancing constantly and we're not interested in holding
onto anything, except the enemy! We're going to hold on to him
by the nose, and we're gonna kick 'em in the ass!" He assures
them that they will know what to do when they find themselves
on the battlefield, after describing a gruesome scenario. He ends
his speech by saying: "I will be proud to lead you wonderful guys
into battle, anytime, anywhere!"
The film then goes to a wide shot of the dessert
in Tunisia, and in one continuous pan, it slowly shows us the
landscape; the hills, a ruined village, goats, and finally a battlefield
at Kasserine Pass, which is strewn with overturned jeeps, disabled
/destroyed "purple heart" American tanks, and finally we see close-ups
of dead American soldiers, in various stages of undress. Arab
nomads were busy taking off their clothes to sell elsewhere, as
their only means of surviving the times. This was one entire 1,800
troop division, that was no match for this first encounter with
the superior German tank and infantry force. The Arabs are scared
away by an approaching 2 star general jeep, which carries General
Bradley and company to see this awful site.
Meanwhile, in Rabat, Morocco, General Patton is
receiving an award from the ruler there for his successful amphibious
landing and liberation of the place. Then, the story once again
switches back to Tunisia, showing General Bradley surveying the
sorry state of the troops stationed at El Katar. Bradley's evaluation:
"We need someone tough enough to pull this outfit together." The
other officer with Bradley says, "Patton? God help us!"
Patton arrives into El Katar, with sirens blazing.
After taking one silent look on his walking tour of the dissheveled,
demoralized, undisciplined servicemen, Patton reestablishes army
sprit du corp. After settling in as commander, he schedules a
meeting with a representative of British Air Command, to find
out why the troops in that ill-fated battle at Kasserine Pass
had no air support. In the middle of this meeting, three German
fighters fly over and attack with plane guns the compound, and
the very room of the meeting. Patton becomes so incensed that
he goes down to the street, and shoots at the planes with his
gun!
Meanwhile, at both Rommel's camp, and at Berlin
German Headquarters, we get to see how the Germans think and feel
about the Allies and Patton. Actors in these scenes speak German,
and the audience reads English subtitles, which adds to the reality
of the situation.
The next sequence of scenes tell the audience
of Patton's belief in reincarnation, love of history, and the
belief that he is a reincarnated soldier from long ago, who is
destined by God to accomplish great things on the battlefield.
He visits the ruins at Cartage, Tunisia, and has this revealing
conversation with Bradley, who is now his assistant commander.
When a German message was intercepted, Patton
is roused out of bed to go the front and surprise the German offensive.
As he had read Rommel's book, he planned a successful attack /
ambush. As the American Forces in Africa were there as a secondary
back up, Field Marshall Montegomery was allowed to get the glory
for pushing the Germans out, which irks Patton. "I admit that
I'm a Prima Donna. Montegomery doesn't admit that, and that bothers
me."
So, when Patton moves on with the 7th division
Army to Italy, he is itching to beat Montegomery to Massina. Instead
of being Montegomery's back up, Patton disregards orders telling
him to let Montegomery catch up in his battle up the middle. Patton
doesn't understand the political aspect of war; "The influence
politicians and diplomats have over the direction of the war."
This is strike one for Patton.
On his way to Massina, he visits a field hospital,
where he tenderly whispers in a critically wounded soldier's ear,
after pinning a purple heart on his pillow. He then visits a soldier
with battle fatigue, and he slaps the soldier in the face, "to
shame a coward, to help him to gain self-respect, and restore
some obligation as a man and a soldier." This is strike two, as
this slapping incident causes an uproar.
After apologizing to his troops at Massina, he
is relieved of his command of the 7th army, finding himself sitting
in a "royal dog house," waiting to be assigned a command. He realizes
he is in the dog house when General Bradley, and not him is give
the top command for the Allied invasion of Europe.
Strike three is when he doesn't mention the Russians
as allies during a speech to an English women's reading society,
a grievous political faux pas, as the Russians were deeply suspicious
of the British-American relationship. Patton is flummoxed by the
scolding he received for this. If there were Russians in the audience,
he said he would've said something! He is told that he is now
on probation, and General Marshall will decide whether Patton
will be sent home or will go to Calais as a decoy for the Germans.
Meanwhile, on the German part of the world, Col
General Alfred Jodl (Richard Munch) isn't buying the story that
Patton is in hot water for slapping a soldier. He and other Germans
are convinced that Patton will be heavily involved, if not leading
the invasion of Europe.
However, after the invasion on D Day, Montegomery's
troops get bogged down, and General Patton is smuggled out of
his "royal dog house" and transported to France on a supply plane.
He meets with his old friend, General Bradley who has a friend
to friend talk. He shows Patton his plan to get the forces really
moving, "Operation Copra," to be accomplished by the
now Operational 3rd Army. Patton promises, "I'll keep my mouth
shut. I promise to behave myself."
So Patton is given another chance, as the commander
of the 3rd Army. He leads and plans brilliantly, killing Germans
as he gains ground, really being an asset, even saving the day
at The Battle of the Bulge, willing to give his all in a job that
he loves. He at one point even directs tank traffic. But will
he stay out of political trouble? Will he really be able to keep
his mouth shut and behave himself?
This "thinking man's war" and landmark biography
film was powerful, poignant, humorous in parts, and one of the
best in its genres. The combination of its powerful screenplay,
insightful, talented direction, great production values, a stunning
performance by George C. Scott and great supporting performances
by the cast makes this film a gem that holds up very well over
time.
The screenplay was written by Francis Ford Coppola
and Edmund H. North, based on two important sources: Ladislas
Faragoe's book, " Patton: Ordeal & Triumph," and on Omar Bradley's
book: "A Soldier's Story." The sceen writers and others involved
in making this film were also helped by well-known advisors: 5
Star General Omar N. Bradley, himsef (senior military advisor),
Col. Paul D. Harkins, USA Ret. (technical advisor), and Col Glover
S. Johns, USA Ret.(technical advisor.)
The fantastic, inspired direction was by the gifted
Franklin Schaffner who had a talent for incorporating dramatic
wide-screen composition, yet never loosing the focus off the main
character, General Patton. "Patton" is the film that Schaffner
is known for, and his efforts on this film earned him an Academy
Award Best Director Oscar. He patiently, skillfully worked with
the fine cast, inspiring George C. Scott to give one of his most
brilliant performances.
Cinematographer, Fred J. Koenekamp captured Schaffner's
visions of this screenplay, as a biography of characters and the
battles as well. Especially well photographed was the battle at
El Guettar which was "stunning as is the massive crunch in the
Battle Of The Bulge."
George C. Scott was brilliantly convincing as
General Patton, the great WW2 tank commander that was both loved
and hated. Scott's passionate dedication to his performance of
General Patton truly brought forth one of his most stunning efforts,
which was rewarded by an Academy Oscar for Best Actor, though
he didn't accept it.
Karl Malden gives a strong supporting performance
as General Omar Bradley who fully realized what a talented military
mind his good friend, General Patton had, while at the same time
knew that the man was a handful, with character traits that were
hard to control. Patton passionately loved the art of war, loved
his job, loved to command, lead and successfully complete missions,
hating to be slowed down by political protocol. Bradley quote:
"There's one big difference between you and me, George. I do this
job because I've been trained to do it. You do it because you
LOVE it."
My favorite sequence of scenes between Malden
and Scott was when Patton is flown to France, and he meets Bradley
in a make-shift headquarters. Bradley shows Patton his new plan
to break through German lines, but expresses reservations about
Patton leading the forces. Patton told him that he would crawl
on his belly to get a command in this European offensive, and
he promises to watch his mouth, and behave himself. Then, Bradley
smiles and tells Patton that Ike had decided 3 months before that
Patton was the man for the job.
Accomplished German actors were used for the sequences
that showed the Germans in tactical military discussions. Richard
MŸnch, who started his acting career at the age of 45 in 1951,
gives a convincing performance as Col. General Alfred Jodl.
Siegfried Rauch also stands out in his performance
as Captain Ostar Steiger.
Karl Michael Vogler is convincing as Field Marshal
Erwin Rommel.
The wonderful musical score was composed by Jerry
Goldsmith.
This film is rated PG. Battle scenes are seen
in detail, and the consequences of war are shown, but there are
no close ups on the blood and guts, a la "Saving Private Ryan."
It is a great character study of General Patton, his strengths
and weaknesses, who contributes so much to the victory of the
allies in WW2.
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