The basic story involves a sly, shifty promoter,
Otis B. Driftwood (Groucho), who arranges for top Italian opera
singers to come to New York on a ship. When two of Driftwood's
wacky friends, Fiorello & Tomasso, and the love-struck, very
talented fiancee, Ricardo Baroni, of the lead female opera star,
Rosita, stow away on the ship, the shipboard life, and the New
York opera scene, is humorously disrupted, with our heroes ultimately
humiliating their stuffy, mean-spirited, snobby foes, and allowing
a young talent to get his chance to perform in a lead part.
As usual, Margaret Dumont is on hand, to contrast
her upper-crust stuffiness with Groucho's coarse shenanigans.
She was a regular foil for Groucho in various films, always to
good effect. With the help of Groucho, her character, Mrs. Claypool,
is able to become an opera contributor, in order to arrive in
high society. Once there, she switches her loyalty to the head
of the opera company, Herman Gottlieb, expertly played by German
actor, Sig Ruman, who excelled in his film career as playing a
"comic menace," in many films.
The romantic subplot between Rosita and Richardo
is less than riveting, but does work well for the time period
it was made for, the 1930's, and is tied nicely together with
the main plot.
The film loses some of its comic momentum during
several operatic sequences, and musical guest shots of Chico playing
the piano and of Harpo plucking the harp. Many films from this
time period felt the need to have musical numbers included, even
when the film wasn't particularly a musical. The Opera setting
does scream for an opera sequence or two. Plus, having comedy
stars that have musical talent in the same film was looked on
as a big opportunity to be taken advantage of.
The well-done, operatic number, sung between
the young singers in love, Rosita and Richardo (Kitty Carlisle
& Allan Jones), right before the ship leaves for New York,
however, had an important purpose, making it clear to the audience
that the character and talent of Ricardo was much greater than
Rosita's current costar; the mean, abusive, pompous Rudolpho Lassparri
(Walter Woolf King). If only Richardo would be given a chance!!!!
There are many favorite scenes in this hilarious
film. One of my favorite scenes takes place aboard ship. Because
Driftwood is now out of favor with Mrs., Claypool, and at the
mercy of Herman Gottlieb, he is assigned a stateroom aboard ship
the size of a broom closet, with barely enough room for a bed
and a trunk. Numerous people, plus the Marx Brothers, enter a
very small stateroom to offer various services, to great comic
effect; sort of like stuffing a phone booth with people.
Another favorite scene involves a legal contract
discussion between Groucho and Chico. "The party of the first
part" legal mumbo jumbo dialogue is a hoot. As they discuss
in the language of legalese, they both literally tear out of the
contract parts they agree to drop, in great satirical flair, all
with a straight face.
Two other favorite scenes that are sidesplitting
that aren't to be missed: (1) The creative way in which the three
stowaways hide from the detective as he searches Groucho's New
York hotel room, taking the evidence of their existence with them.
(2) The New York operatic debut of Mrs. Claypool's sponsored opera
is inter-spliced with the comedic foolery and shenanigans, happening
behind the stage and in the orchestra pit.
This film is one of the greatest Marx Brothers'
movies. These comedians' comedic wit and timing, plus their ability
to pull off both slapstick, physical humor and satirical situations,
all with a straight face, makes them one of the most talented,
American comedian acts of the 20th century.
In his later years, Groucho was the host of a
silly but popular game show called, "You Bet Your Life."
An attempt to revive the show in the 90s, with Bill Cosby filling
Groucho's shoes, failed to find an audience.
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