Synopsis: The basic story involves a starving,
young actor, sharing a New York apartment with a single, divorced
mother and her 10 year old daughter. In spite of themselves,
they gradually fall in love.
The opening of the story begins by showing the
audience a retired dancer, Paula McFadden (Marsha Mason), and
her young daughter, Lucy (Quinn Cummings), coming home from
a successful shopping trip, planning to go to California with
Paula's live-in actor boyfriend, Tony. Much to their hurt and
disappointment, they find a "Dear John" letter waiting
for them, explaining Tony's new plan to go to Italy on a film
shoot instead of the California gig, and a cold brush off, as
if their 2 years together was just a convenience. To add insult
to personal hurt, she finds out later from the apt. landlady
that the bum has sublet the apartment. Late that night, Paula
comes face to face with a dripping wet aspiring actor, Elliott
Garfield (Richard Dreyfuss), as he knocks on her door, looking
for his sublet apartment. Elliott is surprised to find someone
still in it. He had come to New York for an off-Broadway play,
"Richard, The Third." After some wrangling, they agree
to share rent on the apartment, despite Paula's feelings about
the general character of actors, and Elliot's strong dislike
of her hostile attitude toward him. Paula is in for some surprises.
Among them, she discovers that Elliott likes to play his guitar
3:00 in the morning, and meditates and chants at the crack of
dawn.
Paula and Elliott both have their share of problems.
Paula, who desperately needs a job, discovers that she isn't
cut out to go back to dancing, and Elliott is stuck with a director
(Paul Benedict) who envisions Richard, The Third as being a
homosexual. As they help each other through their individual
troubles, they fall in love, despite themselves, which generates
some problems as well, due to past emotional baggage of both
Paula and Lucy.
The sparkling screenplay was by Neil Simon,
that not only shines through a great cast, & great comic
timing, but has great pacing that holds up nicely, all under
Herb Ross's direction.
Marsha Mason did a wonderful job portraying
the change in her character, from a hurt, angry, dependent woman,
to a confident woman willing to love and accept a man on his
own merits once more, as she transforms because of her experiences
with Elliott. Plus, she is willing to listen to Elliot's kernels
of truth and think about them.
Richard Dreyfuss as Elliott Garfield has never
been more charming, energetic and convincing as an actor who
has his hands full, with a hostile apt. mate, her cute 10 year
old daughter, and finds himself in a play production that could
possibly end his acting career in New York. His great talent
shines through his character, as he gives the audience a whole
range of human emotions, as he goes through his various work
and personal adventures. Richard Dreyfuss won the Best Actor
Oscar for his role, beating out Richard Burton! One can see
why from the following favorite sequence.
My favorite scene takes place in the theater.
His eccentric director, Mark, prides himself in his radically
different vision about how to present "Richard III,"
which is far from the traditional presentation, to say the least.
Against his better instincts, Dreyfuss offers a gay interpretation
of "Richard III." The results are hilarious, if a
bit squirmy. Only an actor as talented as Dreyfuss could give
such a BAD performance; all with a straight face. Upon reading
the awful reviews, Elliot gets drunk as a skunk, and laments
to Paula, "I was an Elizabethan fruit fly." I was
"the Betty Boop of Stratford-on-Avon." I was "putrid."
Capital P, capital U, capital TRID.
Dreyfuss and Mason together were a very believable
couple, and played well off each other lines, expressions, emotions,
performances and really produced some romantic sparks on film.
Quinn Cummings, as Lucy, is terrific as Paula's
wise-cracking daughter, offering a lot to the film. Her character
shows the adults in her life, that what they choose to do privately
also affects her personally. Her rapport and performance with
Dreyfuss and Mason is quite precocious for a child actress,
and her performance adds a lot to the enjoyment of the film.
"The Goodbye Girl" is a great date
movie because it is funny, charming, heartwarming, and a little
sexy. It promotes the hope that One can find love and commitment
in the right relationship, despite previous bad experiences
with the opposite sex.
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