This powerful story tells the tale of a southern
family's response to the news that "Big Daddy" Pollitt
(Burl Ives), is dying of cancer, though Big Daddy doesn't know
it. His doctor, Dr. Baugh (Larry Gates) has told him that it is
in remission, but Gooper and Brick know the true prognosis. For
Big Daddy's birthday, his two sons, Gooper and Brick and their
wives come for a visit. Gooper (Jack Carson) and Mae (Madeleine
Sherwood), who have a lot of "no-neck monster" kids,
really want to inherit Big Daddy's millions. Meanwhile, Brick
(Newman), nursing a broken leg and a bottle, mourns the loss of
a his very close friend,(with whom he had an abnormal friendship
with), whom he thinks had an affair with his wife. Brick ignores
his wife, Maggie (Elizabeth Taylor), who he despises on several
levels. Maggie dearly loves Brick, and is frustrated by his unjustified
nasty behavior. She is feeling like a cat on a hot tin roof. While
Gooper and Mae, and their children suck up to Big Daddy, Brick
refuses to do so, though he is Big Daddy's favorite son.
Big Daddy finds himself in a pickle. While Brick
is his favorite son, Brick has a lot of personal problems, making
him not a good candidate to will everything that Big Daddy worked
so hard to attain. Brick has never grown up, and now is also a
drunk, who recently quit his job. Brick is suspected of having
homosexual tendencies, because he had too close a relationship
with his late friend, Skip, and he had stopped having sexual relations
with his wife, Maggie. Big Daddy is forced to consider leaving
his money to the back-stabbing money grubbers, Gooper and family,
because they would keep things going in a responsible manner,
insuring Big Daddy's legacy. Gooper is successful, but still craves
his father's approval , as well as his Dad's money. Big Daddy
finally takes on the role of father, and does his best to try
to straighten Brick out, in order to get him back on track, before
it's too late.
.The film is a classic because of the timeless
story, (brilliantly adapted by Brooks and James Poe, from the
Tennessee Williams play), its exceptional cast, and marvelous
direction by Richard Brooks, who understands good drama. He also
directed such films as "Sweet Bird of Youth," "Blackboard
Jungle," and "Looking for Mr. Goodbar."
The riveting screenplay hooks the audience right
away as the tension between characters entices but is not explained
right away. As the story progresses, secrets and feelings are
revealed at appropriate moments that explain this family's dysfunctional
dynamics that are of nightmare proportions. Much can be picked
up by paying attention to what is going on in the background.
The homosexual undertone that existed between Brick and Skipper
can be picked up if one pays attention, though in this film this
unnaturally close attachment between these two men is explained
as being a result of this family's dysfunctional ability to show
love, headed by Big Daddy.
Tennessee William's works never portray happy,
functional families, and this is a powerful story about another
dysfunctional family, (the Pollitt clan) that makes the audience
realize that their problems in their own families aren't so bad
after all. William's characters, true to form, are strong, well-developed
characterizations, that each have strengths and flaws, giving
the cast terrific inspiration to do their very best work. The
dialog is razor sharp, the acting is superb, and the twists in
the plot makes this fussing, conniving feuding southern family
very believable.
This is one of those rare films where all the
performances from this talented cast were perfect and searing
efforts, seen both in their individual and ensemble work, which
is mesmerizing and makes the screenplay sparkle with dramatic
energy, igniting the screen, and fascinating the audience.
Paul Newman gives a terrific performance as the
unhappy Brick, stuck in a marriage to a woman that he thinks slept
with his close friend Skip, and feels she is after the family
money as well. Brick medicates himself with booze. Newman displays
more than what was envisioned for his part by the screenwriters,
which must of made them insanely happy. Some feel he steals the
show, as his talent as an actor is fully showcased in this plum
of a part.
Burl Ives, gives a terrific, convincing supporting
actor performance, as the patriarch of this messed up family,
who is well aware of the character weaknesses of his boys, and
who realizes a huge flaw of his own in the cellar scene. He must
make some difficult choices for the sake of his own highly prized
legacy. Ives' performance shows versatility, as he is sometimes
funny, mean as a skunk, nice, self-centered, conflicted &
domineering, bellowing his thoughts, no matter who he hurts. Ives
is more than convincing as he portrays a tough as nails man who
by his own strength keeps his family together by his own strong
will and faith in himself, despite the physical and emotional
pain he is in. Despite his faults, Big Daddy rises to the occasion,
when he is most needed as a father.
My favorite scenes take place between Ives and
Newman. Determined to find out what has Brick so upset, and eating
him up inside, Ives has a father-son talk in the living room,
where Ives courageously drags it out of Brick what has gotten
him so upset. As the tortured, alcoholic Newman complains to Ives
about the mendacity, the lies he must cope with, Ives lets into
Newman, letting the younger man know of the lies, he, Big Daddy,
must endure. More truths are brought out and admitted, and Brick
has an epiphany about his problems. The beginning of a new bond
between father and son forms. Their second father - son talk happens
in the cellar, where they dramatically explore what has been wrong
with their relationship and why. Both are changed men at the end.
This is high wattage screen acting of a high order.
Famous Big Daddy Quote: "What's that smell
in this room? Didn't you notice it, Brick? Didn't you notice the
powerful and obnoxious odor of mendacity in this room?"
Elizabeth Taylor gives one of her finest performances,
and sizzles on screen, playing a woman stuck in a horrible, almost
unbearable marriage from hell to a disturbed man whom she dearly
loves, but that she never should have married in the first place.
Because of his suspicions about her behavior with Skip, Brick
won't make love with her, she must endure the disgrace of not
having any children, to add insult to injury. She also has to
put up with the self-centered, hateful shallow family of Gooper,
personified by her hateful sister-in -law, Mae (Madeleine Sherwood).
Taylor shows the audience that she really can act. An added plus
to her performance is when she is sometimes in her slip, being
sexier than a barrel of naked starlets. Who could resist her?
Only a man who has serious issues, displayed delicately by today's
standards, but was considered to be provocative for its time,
in a 1958 film.
Brick: "Now, you keep forgetting the conditions
under which I agreed to stay on living with you!"
Maggie: "I'm not living with you! We occupy
the same cage, that's all."
Taylor and Newman together are dynamite in their
scenes together, fully bringing to life their characters' dilemmas
and the frustration and unhappiness they both feel in their life
together. Through it all, Taylor remains loyal to Newman, and
is there when he eventually regains his senses.
Judith Anderson does a wonderful job as "Big
Mama," who does her best to keep her family together, and
love a husband who can't show love to anyone, let alone her. When
she brings "Big Daddy's birthday party up to Brick's room,
Big Daddy says some very hurtful things to her, and the look on
her face breaks your heart, as she is cut to her soul.
Madeleine Sherwood is absolutely great as the
money grubber, all-around nasty sister-in-law from hell, who has
orchestrated her children to be "trained monkeys" forever
singing annoying songs for "Big Daddy," and saying bratty
and disrespectful things to their Aunt Maggie and Uncle Brick.
She is the one motivating Gooper to try to get Big Mama to sign
the will papers which would give the whole estate to Gooper's
family.
The screenwriters created a happy ending to please
the studio, which does work well, because of the results of the
father-son talks between Big Daddy and Brick, which in turn changed
their behaviors toward other family members, as well as between
themselves.
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