The story is actually an update of Ernst Lubitsch's
"The Shop Around The Corner", and it is a magnificent
film. Meg Ryan rules the screen in a delightful romantic comedy
that leads her to be compared to the famous Myrna Loy due to her
vulnerability, intelligence, and goofiness, that make her an instant
adoration of every man's heart, and the sympathetic heroine everyone
is rooting for.
Ryan plays an owner-proprietor, Kathleen Kelly
(Meg Ryan), of a children's bookstore, originally owned by her
mother, that is just a little hole in the wall, but loved by everyone.
While Hanks character, Joe Fox, a take-charge kind of guy, on
the other hand, is seemingly the villain of the story, as he owns
a monolithic book super store, Fox Books, that is ready to open
its newest branch across the street, not caring who he closes
down; as it is, after all, "just part of the business".
While they're enemies in business, however, they don't know that
each one is the other's true affection via a long-term email correspondence.
Hank's character is the first one to realize that
the hostile woman he put out of business, is his beloved E-Mail
pen pal, while Ryan's character doesn't have a clue at all who
he really is, until the very end of the movie. This information
puts Hanks in an awkward, and uncomfortably painful position,
to say the least, causing him to do some soul-searching. Can he
still have a serious relationship with someone he put out of business?
What happens next is the result of a brilliant
screenplay, written and directed by Nora Ephron, who also wrote
and directed "Sleepless in Seattle" and "Michael."
Some of the best scenes are when they meet each
other in person for the first time by mistake, and by agreed meeting
(both are very interesting turn outs). How the story ends is a
wild and comical road that you have to see for yourself. While
film is appropriate for family viewing, younger children might
be bored by it, as it is a tad long for young viewers.
Cautionary note: Both Ryan's and Hank's characters
at the beginning of the film have live-in partners, but no intimate
scenes are shown or implied.
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