The story opens with a meeting between mobsters
on a horse farm. One mobster states the feeling that Philippe
Douvier (Robert Webber) must prove that he is in control by giving
a sign to the others, before they will continue to do business.
Philippe Douvier, known as the French connection for drugs, decides
to kill Chief Inspector Jacques Clouseau. A bomb delivery to Dr.
Auguste Balls disguise shop doesn't do the trick. After Jacques
Clouseau unintentionally, unknowingly knocks the hit man off the
balcony who was inturn stalking him, in a hilarious sequence where
Clouseau was hunting Cato, as is their custom, an elaborate ambush
is planned. However, the bad guys only wind up ambushing and killing
a transvestite that had held up Jacques Clouseau, stole his clothes,
and his car.
Who wants to kill him? With the world believing
him dead, Clouseau "goes under the covers," and pursues
a bumbling murder investigation, with the help of his friends,
resulting in hilarious situations, occurring along the way.
Herbert Lom is excellent as usual as Sellers'
nemesis. His Chief Inspector Dreyfus, Sellers' boss, is a classic
example of frustrated fury. He is the only one who sees Clouseau,
as he truly is; an incredibly lucky, bumbling, accident prone
fool. At the beginning of this film, Chief inspector Dreyfus is
found in a mental hospital. When Clouseau is reported dead, Dreyfus
feels much better, and is said to be cured, and even gives the
liturgy at Clouseau's funeral, trying hard not to laugh. People
think he trying not to cry. Herbert Lom is most entertaining!
There are many wonderful "Lom" scenes.
Jacques Clouseau, dressed in the transvestite's clothes is picked
up by the police, who then check him into the same mental hospital
as his old boss, Inspector Dreyfuss, who is preparing to leave
the hospital , thinking Clouseau is finally behind him , now that
he is dead. Clouseau escapes and hides in Dreyfuss's closet..
Lom's reaction is priceless.
Many of Sellers most popular films were entries
in the comedic "Pink Panther" series, though Peter showed
great acting ability in drama as well, particularly in the film,
"Being There." This Pink Panther film is considered
by this reviewer as being his best comedic effort, due to not
only Seller's comedic performance and timing, but also to the
terrific direction by Blake Edwards, a great script, and a talented
cast.
The script, by Ron Clark, Blake Edwards, and
Frank Waldman is a great mixture of comedy, adventure, and story
plot, that moves at a perfect pace.
Peter Sellers is at his best in all areas. Sellers,
a gifted impersonator, excels in elaborate disguises. Sellers'
impersonation of Toulouse-Lautrec is particularly funny, providing
one of my favorite scenes in the film. Another hilarious bit is
when he dresses up in a creative costume, depicting the godfather,
complete with cotton in the mouth. Funny physical gags surround
the disguises.
Dyane Cannon added a lot to the film, and the
combination of Sellers and Cannon carried the film nicely. She
plays the mistress/ secretary of businessman/drug runner, Philippe
Douvier, who is dumped because Douvier's wife found out about
her. Cannon winds up helping the inspector to solve this case,
when he inadvertently saves her from the thugs sent to kill her,
because she knew too much. Her straight as an arrow performance
made a great contrast to the comedic role of Sellers and his sidekick,
Cato, adding much to the chemistry and telemetry of the film.
Veteran character actors, Robert Webber and Robert
Loggia, offer strong support, as the ruthless villains. Loggia
received much praise for his roles in such films as "Big"
and "The Jagged Edge."
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